“The speeping beauty finally awakens!” – It took us quite some time to go through the selection process. My apologies for any inconvenience caused! We received many phantastic works from all over the globe. Unfortunately we can’t present all the submissions.
This symposium is not about finding the best work. It is not about rating or grading works. It is about finding what is literally state of the art. We will discuss works from different perspectives in order to examine them. We would like to explore what exactly makes those selected works exceptional.
What techniques are used? What about the interface? How can the notation be used? What do the performers make out of it? We focus on those kind of questions in order to get a deeper understanding about what animated notation is and how we can utilize it in contemporary music practice, music performing, music teaching…
Please check out the “Presentation” page. There we will discuss the selected works.
Dear you! The submission for the Animated Notation online Symposium 2016 is closed.
We received 55 works from 14 different countries!
Heartfelt thanks to you for your submissions!!
Over the summer, the jury will have a look at the submissions and select the most interesting ones to be presented and discussed on our website. On October/November we will publish the results also on our website and plan the publication in “eContact!”.
Enjoy your summer and keep on composing using animation!
ANS is pleased to announce its collaboration with the Canadian Electroacoustic Community (CEC) and their online journal for electroacoustic practices, eContact! Selected submissions to the Animated Notation Online Symposium 2016 will be published in an upcoming issue of eContact! on the topic of Notation of Electroacoustic and Digital Media. http://econtact.ca
There is still time to submit your proposals and works to ANS 2016!
Countdown of the submission deadline – Submit today!